Thursday, December 4, 2014

Nat King Cole was first introduced to music from his mother who taught him how to play the piano. A

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Nat King Cole was first introduced to music from his mother who taught him how to play the piano. At the age of 12 years, Nat and then decided to study piano professionally. In the mid-30s, which are still in their teens Nat already started performing with her sister in a few clubs around Chicago. They even had time to record some of their songs at the time. Nat who then decided to move to Los Angeles and then formed the band King Cole Swingers and began playing in several clubs there. Not long afterwards, the group broke up and then formed Nat Nat King Cole Trio. Nat who originally was a pianist, then started trying to fill vocals. No fewer than 48 albums have been produced by this jazz musician. His first album is THE KING COLE TRIO released Capitol Records in 1944. While the album is titled LOVE released in 1965 was the last album musicians who died in the same year in a fairly young age. Aside from being a musician, Nat King Col E also recorded once a supporting actor of around 22 films including CITIZEN KANE, Diller KILLER, THE BLUE GARDENIA, and CAT BALLOU. Nat also made several appearances in the television show THE ED SULLIVAN SHOW. The father of singer Natalie Cole died of lung cancer he suffered on February 15, 1965. During his life, Nat was a heavy smoker and admitted to smoking to make good her voice.
Louis Armstrong was the greatest of all jazz musicians. Armstrong understood what it was to play Jazz. outstanding technical cafe seeterassen ability of his, joy and spontaneity, and amazingly quick, inventive mind still dominate Jazz to this day. Only Charlie Parker comes close to having as much influence on the history of the Louis Armstrong Jazz do. Like almost all early Jazz musicians, Louis was from New Orleans. He came from a very poor family and was sent to reform school, when he was 12 years old after firing a gun in the air on New Year's Eve. At school, he learned to play the cornet. Once released at the age of fourteen, he worked selling papers, unloading boats, and selling coal from the cart. He was not alone this time instrument, but continued to listen to the bands at clubs like the Funky Butt Hall. Joe "King" Oliver louis favorite musician who also acts as a father to Louis, provides cafe seeterassen louis cornetnya first, cafe seeterassen and taught him the instrument. In 1917 he played in Oliver inspired group at dive bars in the Storyville section of New Orleans'. cafe seeterassen In 1919 he left New Orleans for the first time to join Fate Marable's band in St. Louis. Marable led a band that played cafe seeterassen in the line of the river boat Mississsippi Strekfus. cafe seeterassen When the boat left from New Orleans Armstrong also played regular gigs in Kid Ory's band. Louis stayed with Marable until 1921 when he returned to New Orleans and played in Zutty Singleton's. He also played in the parade with the Allen Brass Band, and on stage with Papa Celestin Tuxedo Orchestra, and Silver Leaf's Band. When King Oliver left the city in 1919 to go to Chicago, Louis took place in Kid Ory band from time to time. In 1922 Louis received a telegram from his mentor Joe Oliver, asked him to join the Creole Jazz Band at Lincoln Gardens (459 East 31 Street) in Chicago. It is a dream come true for Armstrong and outstanding play in the band soon made him a sensation among other musicians in Chicago. cafe seeterassen New Orleans cafe seeterassen style music took the city by storm and soon many other bands from under the south going north to Chicago. While playing in Oliver's Creole Jazz Band, Armstrong met Lillian Hardin, pianist and arranger for the band. In February 1924 they were married. Lillian Hardin was a very intelligent woman and ambitious who feel that Louis wasting himself playing cafe seeterassen in bands Oliver. At the end of 1924 he was pressured Armstrong to reluctantly leave the band mentor. He briefly worked with Syncopators Ollie Powers' Harmony before he moved to New York to play in Fletcher Henderson Orchestra for 13 months. During that time he also did dozens of recording sessions with many blues singers, cafe seeterassen including Bessie cafe seeterassen Smith's 1925 classic recording of "St. Louis Blues". He also recorded with Clarence Williams and Red Onion Jazz Babies. In 1925 Armstrong moved back to Chicago and joined his band at Cafe Dreamland (3520 South State Street). He also played in Erskine Tate's Vendome Orchestra and later with Carrol Dickenson's Orchestra at Cafe Sunset (313-17 East Street 35 on the corner cafe seeterassen of Calmet Street).

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