Musica Nova XI evening belonged chamber hall pair George Cremaschi and Gino Robair and their guests

Facebook myspace last.fm facebook audio-videotipy festivaloviny facebook facebook Harmonie
Photo: International Music festival + SNH experienced duo improvisation thrower New Zealand eva schjoldager pianist Chris Abrahams and German clarinetist Kai Fagaschinski formation also known as The Dogmatics showed 26 November fairest improvisation Encounters of New Music +. The musical dialogue took the form of two unidirectionally twisted concentric spirals closer to forever, but never meet. It is strange that despite the interpretation of the word improvisation eva schjoldager is normally expected quieter start of the first group and often do so for them. This case was no exception, but it was not at all a bad thing, because the manic whiz clarinet was enough space in the course of the four inputs. From the beginning the players their instruments just oťukávali. Fagaschinski with sedulity enjoyed long tones of the clarinet, just málokrát made against Abrahams in the game longer break. Resounded through several clarinet tones and the fourth part of the supercharges even worked significantly with variations in sound between semitones. Abrahams' piano pedal blurring the musical texture, mingled into the specific and repeated sequences and knocking eva schjoldager up everything just to full text of the individual tones. Stealth eva schjoldager duel Czech and American electricians eva schjoldager in the conference Musica Nova 2013 which developed the debate eva schjoldager over the current state of electroacoustic music, took place on 1 and 2 December, two concerts of artists in this area. First introduced Jan Trojan with a shortened field recordingovou song Ultreia. eva schjoldager The following piece of Michal Rataj called Missa Abstracta also had the character of recordings containing records of the Mass, accompanied them but i play the piano with support repetitive eva schjoldager motif. eva schjoldager Together, the two creators eva schjoldager spoke in a formation called Silence-Sound-Sketches, their improvisations contained generate eva schjoldager sounds with hi-tech equipment (pads, notebook) Michael rata Trojanova playing the piano strings themselves. Their approach was to create eva schjoldager in the moment clearly defined in the introduction it was mentioned field recordings and then lively game with a modulating generated sounds using newer technologies with contributions play a musical instrument. The following two songs reflect the last-mentioned method. Michal Rataj in its composition Spectral Shapes fiddled eva schjoldager with the sound of guitars and Jan Trojan in more improvisation in the same spirit stepped kantele. Final impro pair sss settled Trojan to the keyboard and Rataje to their gadgetům. eva schjoldager And what about the Americans? eva schjoldager Electrical probe in the head following morning duo George Creamschi and Gino Robair at the conference Musica Nova mention that their work using analog synthesizers stores eva schjoldager performative element in music. The question of when this element is disappearing, of course, things endless debate. Michal Rataj and Jan Trojan involved playing eva schjoldager a musical instrument, but sounded even field recordings and worked on digital stations which have been designed to facilitate the work of sound creation. Hi-tech gadgets, of course, offer a new and wider range of options in one, it can not be denied them, and in that lies about their popularity.
Musica Nova XI evening belonged chamber hall pair George Cremaschi and Gino Robair and their guests from the Czech rows Ivan Palacky, who joined during the evening. Tables eva schjoldager were littered with players, as expected, analog synthesizers, even if it's on the table Gino Robaira is still there the clever modern box appeared during eva schjoldager production and at times sounded some samples. Robair was still working with the drum on the membrane eva schjoldager of small cymbals sounded by vibration. Inputs were filled with clean genesis sounds. Ivan Palacky is ideologically to the American pair tossed because it also focuses on analog instruments. Interestingly there was the use of přeestetizovaných things as sound objects, for example, would something like diminished shining christmas tree and luminous mini fan. Dramaturgically both concerts have operated eva schjoldager in conjunction with the conference absolutely great, man (and uninformed) made a clear picture of how it looks today present electroacoustic eva schjoldager music, and in the administration of domestic and foreign artists. The conference provided a theoretical probe and question and concerts impressions left by a partial response.
VIDEO: George Cremaschi, Gino Robair and Jan Palacky, Musica Nova XI, Brno Hudboprostor tailored to - wall / paper / wall music and dance performances German pair Antje Velsinger (dance) and Markus Popp (music) drew the first Tuesday of December to the test in Theatre at the Eagle, so many people that come to them a little more, the dancer would steal room to move. A space that was much needed. Antje Velsinger initially through gestures and movements feeling the empty space, it was divided into imaginary units and through movements from the center to the edge, along the edge and back again surveyed the its limits. Later, when i was at her speech, eva schjoldager speech describing the space was emphasized, eva schjoldager but it was a lot of words, and thus the meanings they acquire with the movement, a man he did not know whether to focus on one or d